JAZZ LEGEND CHARLIE PARKER HONOURED WITH GLOBAL BIRD 100 CENTENNIAL CELEBRATION
INFLUENTIAL, CENTRAL ARCHITECT OF BEBOP HONORED WITH NEW MUSIC RELEASES, FESTIVALS, TRIBUTE TOUR, EXCLUSIVE ART, GRAPHIC NOVEL AND SPECIAL EVENTS EXPLORING HIS EXTRAORDINARY LEGACY AND TRAILBLAZING CAREER
CELEBRATION KICKS OFF THIS MONTH WITH LIMITED EDITION VINYL REISSUE OF RARE RECORDING, THE MAGNIFICENT CHARLIE PARKER, FOR RECORD STORE DAY BLACK FRIDAY, NOVEMBER 29
26 NOVEMBER 2019 (TORONTO, ON) – The incomparable life and extraordinary, trailblazing career of jazz titan and influential composer Charlie Parker will be honored throughout 2020 with a worldwide celebration commemorating the 100th anniversary of his birth (August 29, 1920). Lovingly dubbed Bird 100 after the nickname of the preeminent alto saxophonist who was one of the fathers of bebop and progenitors of modern jazz, the centennial will include a host of major initiatives including exciting new music releases, a tribute tour, festivals and events, prestigious exhibitions, special partnerships, a unique graphic novel, exclusive collectible art, and myriad of independent appreciations and concerts.
“The centennial of Charlie Parker is a once-in-a-lifetime opportunity to celebrate his life, legacy and art form with the world. We are thrilled to honor Bird's transformative musical impact on past, present and future generations,” said the Estate of Charlie Parker.
Parker’s longtime label Verve Records in conjunction with UMe, the global catalogue company of Universal Music Group, and Universal Music Canada, the country's leading music company, will kick off the yearlong celebration this week with a limited edition vinyl pressing of the rare 12” LP, The Magnificent Charlie Parker, an exclusive release for Record Store Day’s Black Friday, taking place Friday, November 29 at independent record stores around the country. The limited album, out of print on vinyl since its original 1955 release, is pressed on vibrant yellow vinyl and includes a quintessential David Stone Martin cover as well as painstakingly recreated art including Clef Records labels. The 11-song LP features Parker going toe-to-toe with frequent collaborators Charles Mingus, Miles Davis, Max Roach and John Lewis with arrangements by Gil Evans.
The artwork for The Magnificent Charlie Parker is also available for purchase, along with four additional classic album covers, including four by David Stone Martin, as archival quality, framed canvas prints exclusively via uDiscover. The high-end wall art is available in a variety of sizes and includes the albums: Big Band, Machito Jazz With Flip & Bird, The Magnificent Charlie Parker, Charlie Parker With Strings and Charlie Parker With Strings (Vol. 2). For more information and to order, click HERE.
Verve/UMe/Universal Music Canada plan to celebrate Parker with several releases throughout 2020 and are currently in the works on a vinyl boxed set of Parker’s complete Clef 10” albums featuring David Stone Martin’s iconic illustrated covers. Charlie Parker: The Clef 10” Albums Collection will arrive on August 28, 2020 timed with Parker’s 100th birthday and include five extraordinary albums he recorded for Norman Granz’s Clef Records: Bird and Diz, Charlie Parker, Charlie Parker Plays South Of The Border, Charlie Parker With Strings and Charlie Parker With Strings (Vol. 2). The LPs will feature newly remastered audio from the original analog tapes and will include faithful reproductions of the classic artwork and packaging. The albums will pressed on 180-gram black 10” vinyl and will be housed in an attractive slipcase. Representing Bird’s fruitful late ‘40s to mid-50s Clef period, the albums have never been released together and all but Bird and Diz have been out of print on vinyl since their original releases. These albums are being presented in the form they were originally released in for the first time in more than six decades.
Craft Recordings will release The Savoy 10-inch Collection in February 2020. The deluxe boxed set features four 10” LPs cut from newly restored and remastered audio. The collection highlights Parker’s pioneering bebop recordings for Savoy Records from 1944-1948, featuring jazz legends Miles Davis, Dizzy Gillespie, John Lewis, Bud Powell, Max Roach and more. The package includes faithfully restored original album artwork, plus a booklet containing vintage photos, rare ephemera and new liner notes by GRAMMY®-winning author Neil Tesser. The complete set will also be released digitally.
Bird’s incredible legacy and immortal music will soar throughout the year with a variety of festivals, concerts, events and an exciting tribute tour. Sanctioned by the Estate of Charlie Parker, “Fly Higher: Charlie Parker @ 100” features acclaimed co-musical directors Rudresh Mahanthappa (alto saxophone) and Terri Lyne Carrington (drums) as they celebrate the jazz master, one of the most innovative and influential artists in modern musical history and examine his impact in pop, hip-hop, rap, rock and jazz. Joined by a superb lineup including Charenée Wade (vocals), Adam O’Farrill (trumpet), Kris Davis (piano), Larry Grenadier (bass) and Kassa Overall (DJ), Mahanthappa and Carrington will honor Parker’s centennial year by showcasing Parker’s uncompromising musical joy, humor and beauty by mining his deep repertoire and showcasing new, modern compositions. The tour is produced by Danny Melnick for Absolutely Live Entertainment and represented for bookings by International Music Network. For more information, visit charliebirdparker.com/events/tour-events
Parker’s hometown Kansas City, Kansas and his adopted hometown New York City will honor the legend with their annual festivals and both have big plans for his 100th birthday. On the last weekend of August 2020, the annual Charlie Parker Jazz Festival will kick off in New York City. For the past 28 years, the Charlie Parker Jazz Festival has presented some of the finest musicians in the world who reflect Charlie Parker’s musical individuality and genius, to promote appreciation for this highly influential and world-renowned artist. Produced by City Parks Foundation, the festival is a vibrant and free celebration of jazz that brings together storied, veteran players and the next generation of jazz artists. The festival is held over the course of three days in neighborhoods where Charlie Parker lived and worked, in Harlem’s Marcus Garvey Park and the East Village's Tompkins Square Park. More information will be available here soon: cityparksfoundation.org/charlieparker
Birdland, the NYC jazz club that adopted their ornithological name in 1949 to capitalize on the popularity of their regular headliner Charlie “Yardbird” Parker, will curate a month-long Charlie Parker Jazz festival at the famed venue in August 2020. Each week will feature a different headliner honoring Bird with the festivities launching with “Bird With Strings” in which renowned clarinetist Ken Peplowski will be the music director and he and a conductor friend will invite different soloists, on many different instruments, to play the arrangements with a chamber orchestra. This will be followed with Birdland’s 10th annual “Bird-thday Celebration” featuring an all-star ensemble performing Parker’s compositions. The month will culminate with celebrated saxophonist Joe Lovano and the Joe Lovano Us Five who will do a reprise of Bird Songs, their Bird-themed album released on Blue Note Records in 2011. For tickets and more info, visit Birdlandjazz.com.
Additionally in NYC, Jazz Congress will host a panel discussion about Parker titled “Bird and Beyond: Celebrating Charlie Parker at 100” at the conference taking place January 13-14th, 2020 at Jazz at Lincoln Center. Later in the year, the New York Public Library for Performing Arts at Lincoln Center will present a series of programs that will include conversations and screenings in the Library's Bruno Walter Auditorium, plus listening salons of rarely heard recordings in the Library cafe.
Celebrating its sixth year, the annual Charlie Parker Celebration in Kansas City, Kansas will celebrate Parker’s centennial with Spotlight: Charlie Parker, a 10-day citywide celebration of his life and music on August 20-29, 2020. KC Jazz Alive, University of Missouri Kansas City, the American Jazz Museum, Nelson-Atkins Museum of Art, Mutual Musicians Foundation, Bruce Watkins Cultural Center and numerous other cultural and civic organizations will host jam sessions, tours, lectures, exhibits, panel discussions, poetry slams, workshops and concerts celebrating Charlie Parker—Kansas City’s native son. More information available at Spotlightcharlieparker.org
Other collaborations and partnerships include an event at The GRAMMY Museum® in Los Angeles to be announced at a later date, an official custom Charlie Parker Legends Series alto saxophone mouthpiece with RS Berkeley, modeled after the original one Parker used, and a graphic novel that the Charlie Parker Estate is currently developing with the esteemed Z2 Comics. The boutique company which has pioneered the “graphic album” format will bring some of Charlie Parker’s wild stories to vivid life through the marriage of comics and music.
Bird 100 will be an incredible opportunity to bring Charlie Parker’s music to new audiences, expand awareness of his role in not only advancing jazz but helping to invent the artform known as bebop, celebrate his importance as an early “superstar soloist” of modern music and bring the extraordinary, inspirational and heartbreaking story of the man known as “Bird” to new platforms.
ABOUT CHARLIE PARKER
If jazz history can be divided into two epochs — danceable swing and improvisational bebop — then Charlie Parker is the fault line. During his brief but remarkable career, the alto saxophonist nicknamed “Bird” gave jazz lightning tempos, mind-bending chord substitutions, and previously unexplored harmonic depth, paving the way for hard bop, free jazz, fusion and everything after. Miles Davis summed up his accomplishments: “You can tell the history of jazz in four words. Louis Armstrong. Charlie Parker.”
Parker was born in Kansas City, Kansas, in 1920, but “Bird” was arguably born during a jam session at the city’s Reno Club in 1937. Invited to play with Count Basie’s drummer Jo Jones, 16-year-old Parker began a promising solo over George Gershwin’s “I Got Rhythm” — and bricked on the chord changes. Jones threw a cymbal that clashed at Parker’s feet; the audience jeered. Instead of giving up the horn, he practiced harder than ever and moved to New York City in 1939 to prove his mettle.
One night that year, Parker woodshedded the Ray Noble song “Cherokee” with the guitarist William “Biddy” Fleet and had a eureka moment. "I'd been getting bored with the stereotyped changes that were being used all the time,” he later told Down Beat. “By using the higher intervals of a chord as a melody line and backing them with appropriately related changes, I could play the thing I'd been hearing. I came alive.” Armed with this new knowledge, Parker composed pieces that went on to be standards, like “Yardbird Suite,” “Chasin’ the Bird” and “Ornithology.”
Parker, who died in 1955 at only 34, was a meteoric musician that burned bright and much too quick. But his legacy more than lives on; it’s jazz scripture. Jack Kerouac called him “as important as Beethoven.” Four of his recordings were inducted into the Grammy Hall of Fame including albums Charlie Parker With Strings and Jazz At Massey Hall and the songs “Ornithology” and “Billie’s Bounce.” In 1974, he was awarded a posthumous Grammy for Best Performance By A Soloist for “First Recordings.”
In 1988, the Clint Eastwood-directed biopic “Bird” brought his story to the silver screen. The U.S. Postal Service issued a commemorative stamp in his honor in 1995.
Although his life and career were short, the New Yorker has praised Parker as “one of the wonders of twentieth-century music” and the New York Times deemed him “matchless” and a “bebop exemplar.” And Parker’s popularity continues to grow. Today, one of his saxophones is on view at the Smithsonian’s National Museum of African American History and culture in Washington, D.C. — an enduring reminder that America will always have a “Bird” in its hand.