ROYEL OTIS RELEASES NEW SINGLE “moody”
TICKETS TO “meet me in the car tour” NOW AVAILABLE.
PLAYING HEADLINING SHOWS ACROSS THE U.S. INCLUDING SUMMER FESTIVALS SUCH AS GOV BALL, BONAROO, LOLLAPALOOZA, OUTSIDE LANDS AND MORE.
DOWNLOAD ASSETS HERE
“This duo from Australia, nuts, just NUTS...” — Zane Lowe, Apple Music
“Melting together their penchant for melody with DIY mess-thetics, Royel Otis have sketched out a singular sound” — CLASH
“...an intangible sonic it-factor that many bands these days are hoping to replicate.” — V MAN
“Royel Otis is on one of those runs where you best get on-board, or move clear out the way.” — BILLBOARD
09 MAY 2025 (TORONTO, ON)— Royel Otis have released their much-anticipated brand new single “moody” (out now on OURNESS/Capitol Records). A lilting cut with an infectious hook and effortless late 90’s slacker groove, “moody” is poised to soundtrack the upcoming warm summer nights here in the States as easily as the winter waves; if you’re from the pair’s home city of Sydney, Australia.
Listen to “moody” by Royel Otis:

Co-written by Royel Otis (Royel Maddell and Otis Pavlovic) and GRAMMY winning songwriter Amy Allen, the song was produced by Blake Slatkin (Gracie Abrams, Omar Apollo, Charli XCX), and ushers in a new era for the critically acclaimed duo. Speaking to the track, Royel Otis had this to share: “It’s a song about a girl.”
To celebrate the single release, the band played two sold out shows at The Troubadour in Los Angeles, CA earlier this week. Tickets to the show sold out within minutes upon on-sale, crashing the ticketing site back in early April. Fans lucky enough to get tickets to the show were treated to a special live set from Royel Otis who also previewed music from their upcoming sophomore album.
Alongside the new single release, Royel Otis also celebrated the announcement of their brand new “meet me in the car tour” which will see the guys play select cities across North America, including music festivals such as Governor’s Ball (New York), Lollapalooza (Chicago) and Outside Lands (San Francisco, CA) and more. Visit https://www.royelotis.com/tour/ for full tour routing and ticketing information.
Upcoming Royel Otis Live Shows — including “meet me in the car tour” dates:
*Headlining dates are bolded.
5/5/25 Los Angeles, CA @ The Troubadour (sold out)
5/6/25 Los Angeles, CA @ The Troubadour (sold out)
6/8/25 New York, NY @ The Governors Ball Music Festival
6/15/25 Manchester, TN @ Bonnaroo
6/21/25 Lisbon, Portugal @ Meo Kalorma
6/27/25 St.Gallen, Switzerland @ Sittertobel, St. Gallen
6/29/25 Pilton, UK @ Glastonbury Festival
7/3/25 Barcelona, Spain @ Vida Festival
7/6/25 Belfort, France @ Eurockéennes
7/7/25 Montreux, Switzerland @ Montreux Jazz Festival
7/10/25 Madrid, Spain @ Mad Cool Festival
7/13/25 Berlin, Germany @ Lollapalooza Berlin
7/27/25 Minamiuonuma, Niigata @ Fuji Rock
7/31/25 Chicago, IL @ Lollapalooza
8/1/25 St.Charles, IA @ Hinterland Music Festival
8/3/25 Montreal, QC @ Osheaga Festival
8/5/25 Seattle, WA @ Paramount Theatre *
8/6/25 Portland, OR @ PDX Live at Pioneer Courthouse Square *
8/9/25 San Francisco, CA @ Outside Lands
8/15/25 Hamburg, Germany @ MS Dockville
8/16/25 Biddinghuizen, NL @ Lowlands Festival
8/23/25 Reading, UK @ Reading Festival
8/24/25 Leeds, UK @ Leeds Festival
9/12/25 Philadelphia, PA @ Franklin Music Hall ^
9/14/25 Washington, DC @ The Anthem ^
9/15/25 Asbury Park, NJ @ Sea.Hear.Now Festival
9/16/25 Raleigh, NC @ The Ritz ^
9/19/25 Dallas, TX @ The Bomb Factory ^
9/20/25 Austin, TX @ Stubb’s ^
9/28/25 Tempe, AZ @ Marquee Theatre ^
9/30/25 Denver, CO @ Mission Ballroom ^
10/2/25 St. Paul, MN @ Palace Theatre ^
10/3/25 Kansas City, MO @ Grinders KC ^
10/4/25 Chesterfield, MO @ The Factory ^
10/10/25 Boston, MA @ MGM Music Hall at Fenway ^
10/11/25 New York, NY @ The Rooftop at Pier 17 ^
*= DANCER
^= bby
ABOUT ROYEL OTIS:
Royel Maddell and Otis Pavlovic’s chance meeting feels almost destined. They were both working at bars and cafes in the same neighborhood (the beachside town of Bondi) before getting together one day in 2019 with their guitars and some song sketches. And without any expectations, they soon spotted it: an unspoken chemistry that resulted in effortless rock wonders, new tunes that somehow seemed as if they’d always existed. The rest of the world would soon follow suit when the pair became true breakout acts both online and in rock clubs alike with early charmers such as “Oysters in My Pocket” (Bar & Grill EP, 2022) and “Sofa King” (Going Kokomo EP, 2023). Then came their soaring debut album called PRATTS & PAIN and the legendary run that catapulted the band to indie-rock infamy, globally. The album was named for the south London pub where the pair would pen lyrics between sessions with GRAMMY nominated Dan Carey (Wet Leg, Fontaines D.C., Caroline Polachek) and bore hits like “Fried Rice” and “Foam.” Preceding the album’s release in February of 2024, was the pair’s Triple J “Like A Version” recording, taking on Sophie Ellis-Bextor’s “Murder on The Dancefloor.” The performance became a zeitgeist shaping hit, eventually hitting #1 on Alternative U.S. Radio Chart, #2 on Billboard Alternative Airplay, #5 on Billboard Rock & Alternative and rounding out at the #2 position on Triple J’s Hottest 100 of 2024 charts, earlier this year. Their twilit cover of the Cranberries’ “Linger,” cut for a Sirius XM Session a few months later, led the band to their first Billboard Hot 100 hit and currently has over 220 Million global streams. With the demand for live shows at a high, the guys played more than 100 sold out shows the rest of 2024, selling over 100,000 tickets across Australia, U.K, Europe and U.S. This included multiple nights in major cities like New York (Brooklyn Steel), Chicago (Metro & The Salt Shed) and Los Angeles (The Bellwether). The pair returned home to Australia later that year as one of the most nominated artists at the 2024 ARIA Awards (Australia’s biggest and prestigious music award shows); and went on to win four awards including “Best Rock Album” and “Best Group.” Since their culmination, Royel Otis have drawn from an endless source of good hooks and spirit — riding on their musical chemistry that exudes into mixes of melody and bittersweet humor. Whether it is an original body of work or taking on their favorite song, the pair have cemented their status as one of the most effortless and endearing indie rock bands to emerge this decade.
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